| Quarter
1, 1998
by Art Woolf
Summer in New England. Residents of the big metropolitan areas
leave their homes for beach towns and mountain villages. They
come to unwind, enjoy the scenery, and experience the real New
England. From the ocean retreats of Mt. Desert Island to the
hotels and camps of the Green Mountains, to the historic sites
of Boston, tourism means people, spending, and a windfall to
the local economy.
Far from a recent phenomenon, tourism has been an important
part of New England for nearly two centuries, as Dona Brown
shows in Inventing New England: Regional Tourism in the Nineteenth
Century. With growing incomes, middleclass Americans began
to travel for pleasure as early as the 1830s. And enterprising
local business leaders responded to this new demand by providing
places to sleep and sights to see. In doing so, Brown argues,
they helped to invent an idealized and sentimentalized "New
England" that may never have existed.
The Rise of the Tourist Industry
Travel had long been the province of the wealthy. Members
of the European upper class typically visited major cities
and civic institutions, and they often traveled with a "letter
of introduction" which allowed them entrée into
the homes and social circles of friends-of-friends from home.
But by the 1820s, wealthy Americans began making a new type
of trip, "the fashionable tour," visiting unusual
natural settings, such as Niagara Falls and mineral springs
in New York.
As income rose, tourism also grew across
the New England landscape; indeed, industrial growth and tourism
often developed side by side. As Brown notes, "every
dramatic waterfall had its lumber mill or factory. And everywhere,
on the other side of the falls, was a staircase, built by
a nearby hotel keeper, to cater to his guests' enthusiasm
for scenery." So, by the 1830s, traveling was no longer
limited to the wealthy few. A middle-class tourist could enjoy
the same sights and locales that had previously been available
only to the upper classes, and it became difficult to identify
a person's social status by the simple fact of being a tourist.
The democratization of tourism had begun.
Local entrepreneurs seized the opportunity
to meet the needs of the new, middle-class travelers. In New
Hampshire, Ethan Allen Crawford, barely scratching a living
off the land, shrewdly saw that Crawford Notch was the most
direct route between Portland, Maine, and northern New Hampshire
and Vermont. He also realized that the area's spectacular
beauty was attracting tourists. So, he built roads and inns,
and the first trail up Mount Washington, and then actively
promoted its scenic wonders. Other entrepreneurs followed
suit, and the White Mountains soon became a popular destination.
A "letter of introduction" was unnecessary; all
that was needed was money for a train ticket and a hotel room.
Guidebooks also became important, telling
tourists what to look for, how to behave, and where to stay.
The region's first, The Fashionable Tour or, a Trip to the
Springs, Niagara, Quebeck, and Boston, in the Summer of 1821,
spawned an industry. And by 1828, the industry was so well
developed that one author was able to publish a mock guidebook,
satirizing the required clothes and other conventions of modern
travel. "A good portion of the pleasure of traveling
consists of passing as a person of consequence," it read.
Thus, tourism became part and parcel of the rising consumer
economy, and travel to the "right" places became
an important way to achieve and define one's social status.
Inventing the Past
As the industrial economy continued its spread across the
countryside, urban residents longed to escape the harsh conditions
of the cities - dirt, crime, illness, and immigrants. Many
Americans developed a fascination with the "old days,"
which they vaguely associated with preindustrial farm and
village life. And some local promoters, catering to the demand
for nostalgia, responded by inventing a sentimentalized New
England past for the tourist trade.
This was an especially attractive option
where local industry was in decline. Nantucket, for example,
had been a prosperous and worldly commercial island. But its
whaling industry had peaked in the 1840s; and by the 1870s,
the industry was dying, hammered on the supply side by a scarcity
of whales and on the demand side by new illumination technologies,
especially gas and oil. So Nantucket's well-traveled and sophisticated
promoters saw an opportunity in tourism, and shrewdly created
a romantic history of whaling and of Nantucket as a quaint,
primitive village. This manufactured history included a chronicle
of buildings, events, colorful individuals, even the "character"
of the island people themselves.
When local agriculture declined in New Hampshire,
state officials created "Old Home Weeks." These
summer festivals provided tourists with an easy way to escape
the squalid conditions of the industrial cities and return
to images of wholesome farming and rural living. Never mind
the poverty, back-breaking labor, and dependence on a short
growing season that were the realities of farming in northern
New England.
These efforts, says Brown, contributed to
the "invention" of New England. The idea that New
England was a distinctive region, rather than a strip of land
along the sea, was rarely in evidence in early tourist literature.
But, by the end of the century, both history (real and imagined)
and distinctive landscape were bound together in a new regional
identity and a new marketing tool. Geography alone did not
dictate success. Cape Cod, for example, remained an isolated,
backwater well into the twentieth century. Beautiful beaches,
proximity to Boston, and railroad access were not sufficient
to transform the Cape into a desirable tourist destination.
Only after development of the automobile did an active policy
to improve roads and promote tourism propel Cape Cod to its
current status as a major tourist destination, a development
which now seems as though it were inevitable.
EXCERPT
Scenic touring provided much more than a vacation. . . . For
the consumer, scenic tourism softened the hard features of an
industrializing society with a veil of romanticism. Standing
on a mountaintop quoting poetry was as close as many genteel
young men and women could get to emulating the Byronic heroes
with whom they often identified. . . . For the entrepreneur,
scenic tourism offered an intangible but very real product,
one that could be exploited as easily as lumber or farm acreage.
Romantic travelers could turn to Nature as an escape from the
crude commercialism of their society - but not before they had
purchased the railroad ticket, the trunks, the hotel room, the
elegant bound journal, and the guidebook.
Art Woolf teaches economics at the University
of Vermont and edits The Vermont Economy Newsletter.
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