| Winter
2005
PDF version 
Maybe you're a true believer, convinced that kids need
to know more about economics. So, go ahead.
Put your convictions to the test.
Walk into a high school
classroom and start telling the "leaders of tomorrow" why
studying economics
will make them healthy, wealthy, and wise. Then launch
into a discussion of basic economic principles.
And, just for good measure, be sure to work in that
tired old chestnut about a factory that produces widgets
. . . whatever they are. If you're lucky, you might
walk out of the room with your dignity intact.
Sadly,
the dismal science – along with spinach,
daily exercise, and C-Span – falls into the category
of"
things that are good for you, but . . . ".
Which isn't to say we should
give up on teaching economics to anyone under the age of 18. When we manage to
spark their interest, kids often respond with enthusiasm and an intuitive grasp
of economic reasoning. The challenge, of course, is to spark their interest,
and for better or worse, entertainment does the trick.
Not convinced? Try engaging
the aforementioned high school students in a conversation about government's
role in protecting intellectual property rights. Then, after you recover from
the disheartening lack of response, ask them their opinion on free music downloads.
Odds are, you'll meet with greater success, and with some skillful direction,
the kids will learn a thing or two about intellectual property.
And that's
one of our main reasons for developing Show Business.
The Federal Reserve Bank of
Boston's new online learning unit will be the latest effort in our longstanding
commitment to making economics more accessible to a greater number of students
and teachers.
Show Business will feature six "stand-alone" mini-modules
designed to give users the flexibility to focus on
sections that best fit their needs. Each module will
include a concise narrative, learning activities, and a listing of resources.
We hope to post the first two modules on our web site by mid 2005. In the
meantime,
if you have any comments or suggestions, we'd love to hear from you:
robert.jabaily@bos.frb.org
phone: (617) 973-3452
Six
Stand-Alone Modules
Module 1: Climbing the Charts
How
product markets develop and evolve The entertainment
world is glitzy, glamorous,
and fun. But make no mistake,
entertainment is a business a big business. Climbing
the Charts looks
at how the music industry was born: The shift from homemade
music to "factory-produced" music, and the evolution of the music market
from local to regional to national to international. It also examines how
technological
change has affected the market for music products, with a side story on
intellectual property rights and the controversy over
music downloads.
Module 2: He'll Be Back.
Labor markets
Back in 1940, Warner Brothers
released You Ought to be in Pictures, a blend of animation and live
action, in which Daffy
Duck convinces Porky Pig to leave cartoons and try his luck as a leading
man . . . er, leading pig. (Daffy, of course, has an ulterior motive.)
Studio boss
Leon Schlesinger agrees to tear up Porky's contract, but with a nod
to the camera, he lets the audience know that Porky
will be back. Although
it runs for just
nine minutes, the cartoon classic deftly captures the essence of how
labor markets function, and that's why we use it
as the centerpiece for module
two, He'll
Be Back.
Module 3: They Might Be Giants
The impact
of market consolidation
Media conglomerates are getting bigger every
day. They Might
Be Giants looks at how the trend might affect your entertainment
choices and the price you pay for entertainment products.
Module 4:Why Did
They Cancel My
Favorite Show?
Consumer choice and the marketplace
At one time
or another, and in one form or another, every TV
viewer has pondered the same question:
Why Did
They Cancel My Favorite Show? Module 4 sets out to find an answer
by examining how ratings, demographics, and market
forces affect what
we see on TV.
It begins with a general overview and then focuses on the demise
of a critically acclaimed
1980s network TV show, Frank's Place. (And if you've never heard
of Frank's Place . . . well . . . that's why we
used the word "demise.")
Module 5: Saturday Night At the Movies
Factors
that influence price levels
Mention the movies to grandma or
grandpa and you're almost
guaranteed to
hear:
(1) "When I was a kid, you could see two movies for 50 cents, and popcorn
was only a quarter."
and/or
(2) "They don't make good movies
anymore."
Saturday Night at the Movies looks at what's happened
to the cost of going to the movies and how the product
has changed over the years.
There's also
a side story on the process of bringing a film to the
screen, with special emphasis on financing a film project.
Module 6: Another Lethal Weapon?
Globalization
Action
movie sequels may not be high art, but they make big
money in the global marketplace, where dazzling special
effects matter more than crisp dialogue.
Another Lethal
Weapon? looks at economic issues related to the worldwide
popularity of U.S. entertainment products movies,
music, TV, computer games, and licensed apparel. |